RedPandalorian: The BAD Story

Hello, enthusiasts of the Boards! I have decided to write the first part of my SelfMOC’s story.

Here it is:

RedPandalorian

The BAD Story

Prologue Part 1:

A thunderous roar fills the sky. Ga-Matoran and Le-Matoran quickly make a crowd, looking up at the blue sky. In the distance, the shape of a sleek silver spaceship materializes as it gets closer. Then, it descends. As it gets nearer and nearer to the ground, the greebling and lights become clearer and sharper. The ship’s landing gear folds out, with three legs landing on the ground. A resounding thud echoes as the engines cease. The chattering of Matoran starts replacing the following silence.

Then, the door opens. The edges hiss as they depressurize first, and then, the mechanical servos steadily lower the door, the top meeting the ground like a drawbridge. The crowd quiets down when they see a silhouette inside.

Inside the ship, fog obscures the view. The vague shape of a humanoid is inside, the sound of boots clicking as it approaches. The shape of a bushy tail comes into view as the tapping of boots comes closer. The fog starts clearing as the figure gets closer, and the glint of silver armor comes into view. The figure wears a brown undersuit, obscuring any skin underneath. The figure steps down the ramp that the door has created, its silver armor catching the light. A helmet with a black T-shaped visor hides its identity as it looks at the crowd.

“Why the crowd? I don’t see anything ‘out of the ordinary’ here!” The figure announces with a male voice.

A Le-Matoran speaks up, saying, “We usually don’t see visitors wind-flying in. Are you here to hurt us?”

The figure responds, “No, just a bounty hunter minding his own business.”

A Ga-Matoran asks, “What are you hunting for? And what’s your name?”

The figure responds, “I fear I can’t answer any of those questions. My surname is the RedPandalorian if you need to call me something,” The RedPandalorian continues, saying, “And I would like to walk through. There is quite the audience here.”

The crown, upon hearing this, parts like the Red Sea, providing a clearing and revealing the green grass below. As the RedPandalorian walks through the crowd, whispers change the atmosphere.

-~-~-~

The night sky is a beautiful thing. The shades of black and blue shimmer with cosmic glitter. The RedPandalorian sits in an alley, with a cloak protecting him from the cold. He looks at the nearby huts made of green leaves, and then back at the sky.

The window of one of the huts opens with a Ga-Matoran peering out. She sees the RedPandalorian, and she closes the window. A few seconds later, her door opens, and she comes walking out wearing a woven brown poncho. Her red eyes glow in the dark night as she approaches the RedPandalorian.

“Hello. I can’t help but notice that you are alone in this cold fall night,” She says, her voice small and gentle. “Do you need shelter? Warmth? Food?” She asks, her voice a warm fireplace in the cold night.

“I wouldn’t want to burden you. I’m doing just fine this night. Thank you for your consideration,” Says the RedPandalorian, looking at the sky.

“You seek solitude. Solitude isn’t very nourishing, stranger of the night,” The Ga-Matoran observes. She adds, “I’m Atamai, by the way.”

The RedPandalorian looks at Atamai, his obscured eyes meeting her red gaze. “Call me the RedPandalorian. Good night, Atamai.”

“How does one have a ‘good night’ knowing that others are denied their basic needs? Do you really want to stay on the street?” She says, a purity in her judgment.

“I would want to stay right where I am. Thank you.” Says the RedPandalorian, a subtle undertone of untrust in his voice.

“Then I hope you have a good night,” Atamai says with utmost goodwill, turning to retreat to her hut. She looks back, her piercing red eyes cutting through the darkness like a laser. She winks and then gently shuts the door behind her.

The RedPandalorian’s gaze lingers longer than needed, and then turns away. He looks back at the sky, then at Atamai’s hut, and then at his hands. He pulls a holo puck from his pocket, and it projects a small image of Antidermis. There is text above the image, saying, “170,000 CREDITS PRIZE IF FOUND ALIVE.” The RedPandalorian then puts it away, looking back at the hut, then the sky.

-~-~-~

The scorching sun is at the center of the sky. Midday. The RedPandalorian is riding in the desert on a Mukau. He holds the holopuck in one hand and grasps the Mukau’s horn in the other. He then sees the place he was looking for in the distance: The Fallen GSR. He turns the Mukau’s horn in the direction of the monumental body, steering it in the right direction. With each hoofstep the Rahi below him takes, the closer the GSR becomes.

The RedPandalorian reaches for his belt pouch, fetching his water bottle. He opens the lid, drinking a few sips, and then closes it again. He slides the bottle back in his pouch and looks back at the colossal robot in the distance.

Eventually, the RedPandalorian is at the head of the robot. There is a gaping hole at the top of the head, with jagged space rocks nearby. The RedPandalorian gets off his Mukau mount, reaching for his pouch to feed it.

“Good boy. Rest in the shade. You will need it,” He says, holding some fruit to feed the mount.

When the Mukau has been fed and is resting, the RedPandalorian turns to the hole and walks in, cautiously looking around. He pulls from his satchel a small, compact metal object which, with the click of a button, expands into a large protosteel vat. He spots a chamber and enters it.

Within the chamber is a technological marvel—Metru Nui, the city of legends. It is abandoned and silent, shrouded in shadow. The RedPandalorian continues his “has everything in his pockets” act and pulls out a flashlight, turning it on.

The bright light fills the chamber, revealing a sea of protodermis, with Metru Nui floating on it.

“Shoot!” The RedPandalorian shouts in frustration, “A sea of protodermis and no boat! How am I supposed to cross? My jetpack won’t be able to make it!”

The RedPandalorian paces for a while, trying to think of a solution. Then, he steps outside the cavernous head of the robot. He sees several large metallic panels lying in the sand. He takes the largest one, feeling the protodermis metal surface, and drags it behind him back into the head. He pushes it into the chamber, and it floats. The RedPandalorian then jumps onto the panel, and it holds.

“I hope I don’t drown,” He says sarcastically to himself. He then grips onto the front-facing edge of the panel and activates his jetpack. This propels the panel at a sudden speed, like a makeshift speedboat. When he gains enough speed, he stops the jetpack, skimming across the sea toward the city of legends.

After the panel gets close to Metru Nui, The RedPandalorian activates his jetpack and lets go of the panel, flying toward the city.

Soon after, he lands at a dock. His boots clink against the metal of the dock. The RedPandalorian points his flashlight forward, looking at the silver city. There is a map nearby, written in Matoran.

After decoding the map using a universal translator, he walks toward the main highway. Then, when the RedPandalorian reaches the highway, he walks down it and makes another turn at the end. Then he goes down another road and finds a loading bay with old airships.

Walking into the dusty loading bay, the RedPandalorian finds a small airship. He walks into it and turns it on, expecting it not to work. However, it powers on, the green lights blinking on one by one. The engine purrs loudly as the ship’s steering wheel pops out from a panel on the control board.

“That is coooool,” the RedPandalorian mumbled to himself. He grasped the steering wheel and then…

He crashed the thing instantly like an idiot.

-~-~-~

The RedPandalorian is at the abandoned fortress on Destral. There are the bodies of Makuta everywhere, torn to shreds or burnt. It is disturbing.

“So many bodies…” The RedPandalorian says in disgust, but is surprised at the lack of rot. Then, the RedPandalorian finds what he was looking for: a vat of anidermis. The gas has lost its blood red color, replaced by dead and dull black. The RedPandalorian opens the vat, loading the antidermis into his vat. He then closes it and heads to one of the Makuta labs.

“The terms said that I had to bring the antidermis alive. Nothing good old energized protodermis can’t do!” He says, in a lab in front of a pool of the shimmering silver liquid. He takes a beaker and uses it to collect some of the powerful substance, dropping one drop into the vat. He then closes it quickly, stepping back. The vat shakes violently as the energized protodermis reacts with the anidermis, creating a new Makuta.

“I’m a very smart scientist,” The RedPandalorian says jokingly to himself as he picks up the vat to leave. He walks out of the lab, then out of the fortress to the coast of Destral, where he parked the Metru Nui airship (that is, minorly dented).

As the RedPandalorian walks into the airship, he thinks about the dead universe he is in. He slides into the pilot’s seat and takes the steering wheel, flying the ship out of Destral and back to Metru Nui.

“What a day, what a day,” the RedPandalorian says to himself as he soars up and away.

-~-~-~

The RedPandalorian approaches the village of Le- and Ga-Matoran, where he originally landed his spaceship. The Mukau mount below him moos upon the sight of the village, happy to be seeing home.

He stops, letting the mount return to its owner. He then continues down the main road of the village, heading back to his spaceship with the protosteel vat of Anitdermis in his hand. But before he can step onto the ship, a familiar voice calls him.

“I hope you have safe travel, RedPandalorian!” a soft voice says. The RedPandalorian turns around, and it is Atamai. She waves goodbye, a warm expression shining in her unique red eyes.

“Thank you, Atamia. Farewell,” he replies, surprised by her presence. He then continues into the ship, the door closing slowly behind him.

The RedPandalorian’s ship lifts off the ground, the landing gear folding into the panels. The ship flies higher up, quickly gaining speed. It soon disappears from view, the sky obscuring it. Then, suddenly, a sound like thunder cracks through the sky. Soon after, the ship descends. Fast.

The silver object, once high and triumphant in the sky, is now falling like a broken kite, spiraling down. Three miles away, the ship crashes, black smoke rising quickly.

Inside the ship, The RedPandalorian is unconscious, a fire raging around him. A black, cloaked figure stands beside him, holding a scythe. It looks toward the RedPandalorian, its face revealed to be a skull. Death is near.

Atamai and the other Matoran are shocked. They look around, trying to find the culprit for the horrible shot. Atamai sees a deformed Po-Matoran running away in the distance, holding a kanoka disk launcher and power carvers. She runs after him, knowing he is the Matoran who shot down the ship.

In Atamai’s pursuit, she catches a glimpse of the Matoran’s Kanohi. He wears a Komau.

“Hey, you!” She yells at the Po-Matoran. “Wait up! I need to talk to you!” She continues.

The Po-Matoran just runs faster, and Atamai struggles to catch up. She falls on her hands and knees, completely out of breath.

“You will pay for shooting RedPandalorian! Your destiny demands it!” She yells hoarsely at the running Matoran.

Akamai then stays, gaining her breath back. She stands up and then turns back, running back to her village. Her gaze is locked on the burning ship in the distance, and her face is etched with concern.

“One mount!” She yells to the Rahi rental when she approaches the village. She pulls out some widgets from her leaf bag, setting them on the Rahi Rental stand. The shop owner gladly takes them, releasing one racing Ussal crab.

Atamai swings one leg over the large biomechanical crab and then wraps her fingers around the borders of its shell. The crab starts crawling forward, its six speedy legs carrying it forward.

As Atamai steers the Ussal forward, the burning ship comes closer.

Atamai arrives at the ship, getting off the crab. She rushes in, entering through the large hole in the side of it. She sees a kanoka disk on the ground about the size of the hole. She then rushes through the ship’s hull, entering the cockpit and seeing the RedPandalorian’s body. She tries to remove his seatbelt, but it is stuck. She takes the RedPandalorian’s knife from his belt and cuts it, taking his body over her shoulder and rushing him out of the flames. She feels the fire burn her protodermis plating, but ignores it, focusing on her heroic drive.

There are likely several typos. And just to keep it from being confusing, the RedPandalorian featured in the story is actually not my SelfMOC. You will learn why my SelfMOC carries the same name later in the story.

3 Likes

I’m not really sure what this is mean to say here here, especially in the last sentence; in general, the syntax was very confusing in this section of the story.

Other than that, the present-tense nature of the story was quite strange, and I’m not sure whether I find it unique or unpleasant–somewhere between the two, I suspect (mostly because I keep thinking it’s a mistake and then having to correct myself mentally). I definitely want to see more of this story, though.

3 Likes

I hadn’t written a story in a while lol.

That is my style. I find it easier to write in present tense.

Thanks!

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John TheRedPandalorian, is that you? :pleading_face:

Odd that The RedPandalorian is his surname and not a moniker. It makes me wonder if there are any other The RedPandalorians in the story.

I’m gathering this is a bit of a mashup world between Bionicle and Star Wars, given the existence of holo pucks, credits, universal translators, and whatever ship John TheRedPandalorian has. There’s also no mention of a tail or ears on the figure, and seeing as he isn’t your selfmoc, I assume those will be explained later.

Uh :imp:

So, the literal personification of death appeared. That’s interesting. I’m assuming this is a rogue element and not some part of Star Wars I’m not aware of.

Oh hey it’s me-

Ah nvm

The present tense nature of the story really makes it feel like someone is right there watching things happen as they occur, which is (I assume) impossible since we keep jumping between perspectives constantly. John RedPandalorian also talks to himself a lot, which really undercuts his whole rugged loner image he presented earlier. There’s also red antidermis which seems to act as a singular entity, which is interesting since antidermis is typically non-sentient and also green.

Overall, I think it’s too early to comment on a lot of the separate elements here because there is nothing to base them against. This isn’t the typical world of Bionicle despite having some connected elements, and huge props to the Po-Matoran who shot a kanoka into high atmosphere with the force necessary to puncture whatever ship Mr. TheRedPandalorian is flying. Dude’s clearly a menace.

My only question is, since this character doesn’t have a tail and ears… Where’d he get his last name from? :thinking:

3 Likes

Likely not…

OH MY GOSH I FORGOT TO DESCRIBE THE TAIL AND EARS WHAT THE FUMBLE GUMBLE!

Just symbolism. It is cool as heck, so I included it.

Ghid jokes are hilarious

I like present because of that effect.

He talks to himself when he is alone. What can I say? I do it too.

I thought anti-dermis was red because of the bonkle movies. It stays.

I was bracing myself for intense judgment, so I’m surprised I hadn’t gotten my load. You are making a good point, so YAY!

The Matoran is. He is a very big menace whose name will be revealed later in the story…

My human error added every detail but the tail and ears. I will make sure to add that to his description later. It was a REALLY bad mistake for me to forget that…

EDIT: I vaguely said, “The shape of a bushy tail comes into view.” I forgot about it for every other scene.

3 Likes

sir this is a children’s website

It is also a little sudden and also out of place, but so is a lot of the story, if I’m being honest. It’s just strange to see a metaphysical figure suddenly appear and be treated as if he’s a real dude who just showed up.

Yeah, but you’re not trying to pass yourself off as a cool bounty hunter who’s super macho and sleeps on the street at night because you’re a legend who goes it alone. Unless you actually are, in which case I hope it isn’t raining for you rn :pensive:

Oh it’s coming :smiling_imp:

At the moment it’s disconnected crumbs scattered about my plate; I’ll wait for the full meal before I devour.

If it’s Ahkmou I’m rioting :dizzy_face:

Yeah, given that his tail is gigantic and his ears are extremely visible, it’s kind of an important detail. It’s like writing a story about Ghid without mentioning that he’s super handsome and incredibly muscular and also has lots of friends and is super rich but also so very humble about it and never makes up details about himself on the internet.

:cry:

4 Likes

Quite the read. It’s interesting to see a story written in the present tense, instead of some form of past tense. I’ve only read a small handful of narratives like that in my life. As others have said, it’s very different, but I’m not the most opposed to it.

A few notes

For “just a bounty hunter minding his own business,” this Mr. RedPandalorian guy sure knows how to make a dramatic entrance. “Clicking” also makes me think of high heels or other harder-soled women’s shoes, rather than boots. “Thud” or “clang” might achieve your desired image better.

That was a pretty fun near rhyme to hear in my head.

Misplaced capital letter, unsubscribing :pensive:

Misplaced capital letter, unsubscribing :pensive:

Misplaced capital letter, unsubscribing :pensive:

Misplaced capital letter and period instead of comma, unsubscribing :pensive:

Misplaced capital letter, unsubscribing :pensive:

A bit of a meta line, not sure if that was intentional or not.

Misplaced capital letter, unsubscribing :pensive:

Misplaced capital letter, unsubscribing :pensive:

Panel is repeated in this sentence, could probably find a synonym that would make the phrase flow better stylistically.

Same thing here. A thesaurus might be useful or just replace the second “dock” with another term like “pier” or “wharf.”

Misplaced capital letter, unsubscribing :pensive:

Misplaced capital letter, unsubscribing :pensive:

hey that sounds like a MOC I made a few years back

Admission of guilt, taking accountability… that’s what I like to see. Subscribed :hugs:

Stylistically, you could do with some variation in sentence structure and word choice, and a second read-through may help to eliminate some of the typos. That said, I have to give you credit for actually writing something. Lord knows I wasn’t this ambitious when I was bigger on Bionicle, coming up with backstories for my MOCs. Writing anything at all is good practice that’ll improve your skills over time, so I commend your commitment.

Looking forward to seeing where this goes!

Ghid’s jokes are very serious. They are no laughing matter.

6 Likes

This is actually a rough draft. I started around 1:30 PM and stopped around 6:30 PM, so I was as tired as a diseased man when I decided to end part 1 of the prologue, therefore forgetting to revise or even read back.

I’m planning on making several chapters, with each one being between 5 and 10 pages. I want this story to be the longest and best I’ve ever written.

Thank you! I appreciate your praise!

It is going to be very unpredictable… And the best part is that I (mostly) make it up as I go! I know what the main events in the story are gonna be, and that’s it.

We all have different interpretations of this unfathomable wisdom, I suppose.

5 Likes

I would wait to publish until you’ve checked it over at least once.

But preferrably not approximately 20 times, like I do with my stories…

4 Likes

I usually check my writing at least 2 times before I publish it, so this is a rare instance.

I can get behind that, having a few similar past experiences…

4 Likes

It would sound better like:

“Hello. I can’t help but notice that you are alone in this cold fall night,” She says, her voice small and gentle, like a warm fireplace in a cold night. “Do you need shelter? Warmth? Food?"

But overall, it is good.

5 Likes

I was going to wonder where this was for WM but bro got skinned alive :cold_face:

First of all, you can just say my name, I’m right here :triumph:

Secondly, please oh please don’t get into the habit of sending just your first draft. That’s what I do and I’m too lazy to escape from it :pensive:

You would not believe how much that first sentence scared me to read :eye_in_speech_bubble: :eye_in_speech_bubble:

Nowadays I plan everything out aside from the execution when it comes to writing. I’ve got narrative threads that are literal years in the making being written into the WM sequel, and having to sit on them for years is both uncomfortable seating and especially painful as they’re already resolved in my mind.

All that to say, that’s a dangerous way to live your life and I applaud your bravery :saluting_face:

4 Likes

I had it coming, but at least the nice comment in the end brought me back to life.

I already made it a new law to revise. I got the feedback, so I will know better now. Usually, my writing is more complete.

I see more Ghid humor

Are you human?

ToaLegoGIF

6 Likes

And that might sound better like:

“Hello… I can’t help but notice that you’re alone.” Her voice is small and gentle, like a warm fireplace in a shivering night. “Do you need shelter? Food?"

If you’re curious why I made some of the changes I did:

See here for more...

Typically, writers try to keep low the number of repeated words in a page. Because of this, I removed “Warmth?”, as the usage of “warm” in the description is more evocative than one more word of dialogue (the effect of that word of dialogue is still present with what remains). Similarly, I removed the first mention of “cold night”, as it was redundant with the description of her voice. In that vocal description, I also changed “cold” to the more evocative word of “shivering” (though “frigid” or any other synonym would work as well).

It’s also not entirely necessary to specify that she’s speaking, since context clues point to that already. Instead, merely identifying a prominent feature of her (as you did with your metaphor) allows the reader to feel that they know her better, and it also reduces the clunkiness of the sentence.

If you do prefer to keep the indication of speaking, though, at least do this:

“…you are alone in this cold fall night,” she says, her voice…"

4 Likes

Should see me do peer revisions in university. I’m like the French Revolution but my guillotine is Canvas comments.

Excellent. A good bit of advice was shared by Zhyndea, try to avoid repeating words in close proximity when possible. This isn’t just limited to words, though - avoid repeating sentence patterns as well. Just a quick example:

A simple rewrite:

“After decoding the map using a universal translator, the RedPandalorian walks toward the main highway. He follows it till a turn at its end, turning to another nearby path leading to a loading bay with old airships.

Upon stepping into the dusty loading bay, the RedPandalorian finds a small craft. He surmises such old machinery to be nonfunctional as he boards it and turns on the power, but the green lights blink on one by one as it activates, surpassing his expectations.”


Writing in general is tricky, and writing well is even trickier. Takes lots of time and practice, but in all honesty, you write better than a lot of college students I’ve seen - you always have complete sentences, your punctuation is pretty accurate, and all in all it’s just fun to read your story, no matter how goofy it may be at times.

also sorry that i reviewed that like an academic essay xP i’ll start grading Ghid more harshly in return.

5 Likes

I was peer-reviewing an essay a few months ago, and I was about 85% sure this essay was AI, despite strict anti-AI policies. Still, I didn’t say anything… I just completely destroyed the essay, tearing into its basic structure and critiquing just about everything about it. So, @RedPandalorian… Thanks for not using AI!

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Erm redundancy :index_pointing_up: :nerd_face:

tenor

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@Minethuselah

PrudeLosersPatrickGIF

Now that is gonna be a little little harder for me to do do.

PrudeLosersPatrickGIFA lotta note-taking for this reply…

PrudeLosersPatrickGIF

That might be a stretch. I am likely 5+ years younger than those homo sapiens.

Teacher talk ↑

Thanks! My teachers also say that, too lol.

Now you are acknowledging your teacher-ness.

@Zhyndea

You’re welcome!

@Ghid

4 Likes