though, my favorite violinist will always be augustin. I saw him play in person once, and it was without a doubt one of if not the best performances I’ve ever seen
everything about his technique was exquisite, and his tone and vibrato wast even better. I feel like a lot of string players tend to lean towards very fast and thin vibrato (I’ve come to refer to this as mosquito vibrato). While this makes the piece seem technically impressive, it isn’t pleasant to listen to. I prefer more drawn-out and warbly styles, which augustin makes perfect use of
I wish I could say yes. No, I’m not a conductor, I just meant I enjoy pretending to conduct the piece; it’s especially fun with this one since there’s a lot of intense, forte passages. I am a pianist, though. At least I can dream of conducting an orchestra
Although the piano version will always be my favorite, I came across this version on the guitar. This is the piu mosso passage of Vals no. 7 op. 64 composed by Chopin. It’s interesting on the guitar, I guess. It’s modulated from its original key (C# minor) into another (G major). As a pianist, I really like her musicality and sense of rhythm; I wish the full piece was shared, though. I’ll share both the guitar version and the original piano version for comparison.
Here is the guitar version (only piu mosso passage) - played by Paloma Chaprnka
Here is the piano version by one of my favorite pianists, Yuja Wang. She is playing the full piece here.
Edit: You might want to fast forward on the second video to 1:05. That’s when the piu mosso passage is played.
Ok ok I believe you
Wow that’s kinda weird
I think we just experienced a 1/1000000000000000 chance here on the boards
Now I’m interested, how do you know each other?